I sat in with Ann Arbor’s First Flight the other night, and received a very nice compliment afterwards. Someone commented that it was nice to have a horn player that rhythmically interacted with the rhythm section. Now, I’m not saying I have it all figured out, but it was nice to be noticed for something I have worked to develop.

Relating to that point, in jazz-related styles, I often consider the “rhythm section” to really include the entire ensemble. Among many of my musical peers (not “pros,” but working musicians getting on their feet), this seems to be a point that is lost on them. Too often are horn players ready to simply stand up and move their fingers, with an emphasis on melodic flare as opposed to musical interaction.

For those who don’t agree, consider this: if you’re not playing with your fellow musicians, then why are you standing on stage with them in the first place?