2012 was a great year musically and personally. (Since this is a music-centric blog, and not a personal one or otherwise, I’ll stick to musical highlights.) Looking back:<\/p>\n
Playing<\/span>: I played a wide variety of gigs throughout the year, as usual, but a few projects are worth special mention. Concerts<\/span>: Regular readers (and those who know me personally) know that I attend a lot of performances. Every year I see shows that especially stand out. Here are a few, a number of them being firsts: Albums<\/span>: I need to just list them at this point – in no particular order other than the first two – or this post will never end. Again, just some highlights that were released in 2012. (NOTE: These are albums I purchased and listened to…I realize there are some I haven’t gotten around to yet.) But take note: it’s no surprise that my beloved ECM<\/a> (in bold<\/strong>)\u00a0is well represented… Good thing I didn’t start down the path of albums purchased (but not released) in 2012…<\/p>\n <\/p>\n 2013 PREVIEW<\/span> <\/p>\n","protected":false},"excerpt":{"rendered":" *Dusts cobwebs off* …and the blog returns. It’s been a quiet couple months for this site, mainly because the last part of 2012 was pretty intense away from the computer. Teaching, gigging, working, etc., aside, my wife and I bought and moved into our first house. (Hence the last MTH-V post.) While it obviously wasn’t […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,11,4],"tags":[728,727,262,276,613,696],"class_list":["post-832","post","type-post","status-publish","format-standard","hentry","category-listening","category-misc","category-performance","tag-728","tag-727","tag-einstein-on-the-beach","tag-richard-wagner","tag-the-fencemen","tag-white-gold-scorpio"],"_links":{"self":[{"href":"https:\/\/michaelteager.com\/blog\/wp-json\/wp\/v2\/posts\/832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michaelteager.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michaelteager.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michaelteager.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michaelteager.com\/blog\/wp-json\/wp\/v2\/comments?post=832"}],"version-history":[{"count":8,"href":"https:\/\/michaelteager.com\/blog\/wp-json\/wp\/v2\/posts\/832\/revisions"}],"predecessor-version":[{"id":1194,"href":"https:\/\/michaelteager.com\/blog\/wp-json\/wp\/v2\/posts\/832\/revisions\/1194"}],"wp:attachment":[{"href":"https:\/\/michaelteager.com\/blog\/wp-json\/wp\/v2\/media?parent=832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michaelteager.com\/blog\/wp-json\/wp\/v2\/categories?post=832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michaelteager.com\/blog\/wp-json\/wp\/v2\/tags?post=832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\u2022 Ongoing collaboration with Matt Borghi<\/a> — Matt and I continued our somewhat schizophrenic musical quest. I don’t say that as a pejorative, but with pride. We have too many interests to stick to just one bag of tricks. (Longer discussions here<\/a> and here<\/a>.) We played a number of shows and also released a single under our acoustic rock moniker Teag & PK<\/a>. And we also continued our ambient explorations. The latter yielded a full album,\u00a0Convocation<\/em>, that is to be released in the coming weeks. More details quite soon as the official release nears. We’re\u00a0<\/strong>very excited about it.
\n\u2022 The Fencemen<\/a> — I met and started playing with The Fencemen last year. I contributed some sounds to “Rented Rooms” (on\u00a0Times Are Alright<\/a><\/em> – my review here<\/a>) and have been playing live with them since April. Gritty rock and roll…check it out.
\n\u2022\u00a0White Gold Scorpio<\/a> — I laid down some tracks for\u00a0Halloween Island<\/em><\/a> (specifically “Throw Myself At You” and “Scare You Like I Do”). This was purely studio work, as the group is based in Brooklyn. It’s a real good album and I’m glad to be a part of it.
\n\u2022 I bought a piccolo. \ud83d\ude42 (For pit work for\u00a0Annie<\/em>.)<\/p>\n
\n\u2022\u00a0Einstein on the Beach<\/em> — “Would it get some wind for the sailboat?” Let’s face it: I started 2012 with more than a bang. Being fortunate enough to see this live really was one of those “once in a lifetime” experiences. It’s been just over a year and I still think of it almost everyday. (And occasionally dream about it, but that’s another story…) It had a profound impact on me that I can’t really put into words. (Though I tried to gather my immediate reaction here<\/a>.) Alex Ross said it<\/a> best: “ecstatically dumbfounding.” No other 2012 musical experience – and few ever – even compared to this one.
\n![\"trialeotb\"](\"http:\/\/michaelteager.com\/blog\/wp-content\/uploads\/2013\/01\/Trial_Photo-Lucie-Jansch-1024x637.jpg\")
\n(Photo by Lucie Jansch)
\n\u2022 Charles Lloyd’s New Quartet — I finally saw Mr. Lloyd in Ann Arbor in April. I’ve been a longtime fan of his, so that was a real treat. I can’t think of any other musician whose lines float over the ensemble quite like his. His rendition of “Go Down Moses” still haunts me. Some thoughts here<\/a>.
\n\u2022 James Carter, Spectrum Road, and Neneh Cherry & The Thing at Montreux Jazz Festival — Although I was initially disappointed that Tricky<\/a> dropped out, this lineup blew me away<\/a> in three very different ways. Furthermore, it was great to attend the Montreux Jazz Festival. But even though my show was in Miles Davis Hall, I still wish I could’ve seen the real thing, particularly this 1973 performance<\/a>.
\n\u2022 Radiohead —\u00a0Finally<\/em>. They gave an impeccable performance. I was worried that my years of wanting to see them would raise the bar too high, but shattered my very high expectations. Extended thoughts here<\/a>.
\n\u2022 Pat Metheny Unity Band and Wayne Shorter Quartet at Detroit Jazz Festival — Technically two first, but not completely. I saw part of Metheny’s Detroit show during his Orchestrion tour (I was playing at the bar downstairs, so I snuck up for a bit), and I saw Wayne Shorter with Herbie Hancock’s quartet in 2004. (The latter show was really something special.) But this was my first Metheny experience with a backing band and I hadn’t yet seen Wayne’s powerhouse quartet with Brian Blade, John Patitucci, and Danilo Perez. Both were stellar. Metheny and Chris Potter were face-meltingly good, whereas Shorter’s quartet successfully opened my third eye<\/a> for a time. I’m very excited for WSQ’s soon-to-be-released third album<\/a>.
\n\u2022 Marcus Miller — Another technical first. I saw Marcus Miller as a sideman for Herbie Hancock’s Headhunters 2005 at Bonnaroo, but this was my first time seeing his solo band, which pretty much sticks to the coasts, Europe, and Japan. (That Headhunters 2005 performance was a killer band, and one of the best things I’ve ever seen: Herbie, Marcus, Terri Lyne Carrington, Kenny Garrett, Roy Hargrove, John Mayer [as guitarist, not lead singer], Munyungo Jackson, and Lionel Loueke.) Miller’s solo band didn’t disappoint. It was funky,<\/a> crunchy, and high-octane from start to finish.
\n\u2022 DMB (various) — Of course. \ud83d\ude42 Considering there were two separate tours, I was only able to catch four shows in Saratoga, NY<\/a>, Chicago, and Toronto. (Teaching abroad got in the way of a few others I would’ve seen, and I took 2012 off from The Gorge.) Many of the new songs were really gaining steam by the last time I saw the band. They never disappoint.<\/p>\n
\nAway From The World<\/a><\/em> — Dave Matthews Band
\nManu Katch\u00e9<\/a> —\u00a0Manu Katch\u00e9<\/em><\/em><\/strong>
\nSleeper: Tokyo, April 16, 1979<\/strong><\/a><\/em>\u00a0— Keith Jarrett & Jan Garbarek
\n<\/strong>Oceania<\/a><\/em> — Smashing Pumpkins
\nLive at the Moody Theater<\/em><\/a> — Warren Haynes
\nFly<\/em><\/a> — Lettuce
\nFor the Good Times<\/em><\/a> — The Little Willies
\nThe Well<\/em><\/strong><\/a> — Tord Gustavson Quartet<\/strong>
\nSpectrum Road<\/em><\/a> — Spectrum Road
\nThe Cherry Thing<\/em> <\/a>— Neneh Cherry & The Thing
\nUnity Band<\/em><\/a> — Pat Metheny
\nAll Our Reasons<\/em><\/strong><\/a> — Billy Hart
\n<\/strong>Within A Song<\/em><\/strong><\/a> — John Abercrombie Quartet
\n<\/strong>Swept Away<\/em><\/strong><\/a> — Marc Johnson & Eliane Elias
\n<\/strong><\/em><\/em><\/em>Gesualdo<\/em><\/strong>: Quinto Libro di Madrigali<\/em><\/strong><\/a><\/em><\/em><\/em> — The Hilliard Ensemble
\n<\/strong>If Grief Could Wait<\/em><\/strong><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/a> — Giovanni Pessi & Susanna Wallumrod
\n<\/strong>Filia Sion<\/em><\/strong><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/em><\/a> — Vox Clamantis<\/strong><\/em><\/em><\/p>\n
\nLooking ahead, there are some musical items worth noting:
\n\u2022\u00a0Convocation<\/em>, my album with dear friend and partner Matt Borghi, will be released in the coming weeks. More on that soon.
\n\u2022 Look for some new music coming from The Fencemen.
\n\u2022 2013 = 1813+200 = Wagner’s bicentennial. Yes, Richard Wagner<\/a> – a “complex” figure, to put it lightly. Horrible personal qualities aside, he’s by far my favorite composer. I’m sure he’s been referenced occasionally here. (Don’t let that fool you; the love runs deep.) For instance, one of the only musical experiences comparable to my seeing\u00a0Einstein on the Beach<\/em> was when I saw\u00a0Der Ring des Nibelungen<\/em> in Chicago in 2005<\/a>.\u00a0Expect regular mention of him, his music, and his legacy throughout the year. I’m celebrating by going to see\u00a0Die Meistersinger von<\/a><\/em> N\u00fcrnberg<\/em><\/a> at Chicago Lyric Opera next month, and hopefully another jaunt to Bayreuth<\/a> while abroad this summer.
\n![\"rw\"](\"http:\/\/michaelteager.com\/blog\/wp-content\/uploads\/2013\/01\/wagner-042309.jpg\")
\n\u2022 Chris Potter<\/a> will be releasing The Sirens<\/a><\/em>,\u00a0his first ECM album as a leader<\/em>. I’m very intrigued to hear what he’s like as a leader under Manfred<\/a>‘s umbrella. Beyond that, ECM always releases great record, so I’m sure this year will be no exception.
\n\u2022 The blog will resume regular posts over the next couple weeks as this semester’s schedule settles in.<\/p>\n