Some news on the ambient front.
Subterranean Bearings, the new Matt Borghi & Michael Teager album, is out now. Years in the making, it’s our first LP since 2014’s Shades of Bending Light. While reminiscent of our ambient recordings from 2013-2014, Subterranean Bearings explores new sonic terrain for us.
The material was recorded gradually from 2017 to 2018. Unlike our previous recordings, which were all live free improvisations, the guitar and saxophone parts were recorded separately in our respective home studios in East Lansing, MI and West Seneca, NY over many months. Borghi’s trademark sonic beds are often ornamented here by more active, overtly melodic gestures. Additionally, my contributions include multiple simultaneous horn lines. We tried to keep spontaneity at the core of our new collaborative process. As such, for each piece on the album, each saxophone track was recorded in a single isolated take, without regard for the other saxophonic textures. The horn lines at times complement and agitate one another in intriguing ways. These more actively polyphonic textures combine to offer a new take on the traditional Borghi | Teager aesthetic.
This release will be digital only and is now available for purchase from Bandcamp. It will be available for streaming via Spotify, Apple Music, and other outlets in the coming weeks.
To coincide with this release, we recently recorded a long-form piece in the vein of our previous work. The piece, “Vanishing Point,” will be released Tuesday 06/30 via the Ambient Soundbath podcast.
We’re happy with the new album as well as its accompanying podcast appetizer. We hope you give a listen.
Find Subterranean Bearings on Bandcamp here.
More information on where to listen to “Vanishing Point” and the Ambient Soundbath here (https://ambientsoundbath.com).
More information on Matt Borghi & Michael Teager here.
(The photographs for the album art were taken by me in Austria’s Bregenzerwald  and at Pere Marquette Park in Muskegon, MI , respectively.)